""In the past if you were an independent filmmaker and you wanted to do a tour like this, you'd have to pay the theaters what's called a four-wall fee-a rental fee-and it can be very expensive . But I haven't done that once, and I've done 22 screenings. I'm offering theaters a 50-50 split off ticket sales.""
""It's got nothing to do with Covid," he asserts. Rather, it's the availability of content on people's phones, which is "taking away eyeballs by the billions.""
Peter Hyoguchi is touring his indie thriller The Occult with one-night screenings in 22 cities, including a Campbell screening Oct. 7 at Pruneyard Cinemas with a Q&A featuring editor Robert Días. Hyoguchi promotes screenings by leaving tarot cards around town and by negotiating revenue splits with theaters instead of paying four-wall rental fees. He offers theaters a 50-50 split of ticket sales. He describes a decline in theatrical feature releases from 101 in 1990 to 52 last year and attributes the drop to phone-based content drawing viewers away. The Occult features a Dolby 5.1 soundtrack intended for an immersive big-screen experience.
Read at Metro Silicon Valley | Silicon Valley's Leading Weekly
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