Independent films

Independent films

Angel's Egg marked a major turning point in the future anime legend's style, combining elements from Oshii's unrealized dream project with his lifelong fascination with Christianity.

The invention of the Cinématographe was ready right away. The process of the invention was longer, and there were a lot of inventors before Lumière.

Hoppers, like Pixar's pre-Disney films, is a delight. The beavers' world is immersive and richly realized, grounded in science but never dry. The plot zigs and zags between moments of absurdity and emotional heft to stirring effect; I cried multiple times, and not just because of the low-hanging fruit of grandma death.

In the opening moments, Loznitsa, working with the Romanian cinematographer Oleg Mutu, plants the camera before the prison gates, which open with a loud creak, allowing a fresh batch of emaciated arrivals to shuffle into a work yard.

Both are one-night-in-hell slashers about two estranged sisters forced to fight their way out of a lair of rich people who've joined a devil cult and are hellbent on sacrificing them to their dark lord. They even debut one week after another, the latter on March 20, the former on March 27.

DreamQuil is filled with so many anxieties that now feel commonplace, or that growing leaders in the development of AI will call 'inevitable.' Ads present tidy solutions to Carol before she even realizes she has a problem, as if the tech around her home is listening to every conversation. Some ads even feature her likeness, reaffirming the fears that AI will replace actors like Banks in real life.

When Jeff Nichols set out to make 2016's Midnight Special, his intention was to create a film about parenthood, the feelings of powerlessness that come with it, and the faith required to let your child be their own person in the world. When his son had a seizure at 8 months old, Nichols realized that he 'had no real control over the health and well-being of [his] child.'

From the get go, T was incredibly transparent about the fact that he wants a completely subservient woman he can control. He didn't even necessarily know that what he was saying was offensive. He is, as Zand says, completely open about what he wants: a girlfriend who always says yes.

He was the actor I wanted to play this role. It was very much designed around him. It drew on his Native American heritage and his ties to and love of the Southwest. Voorhees emphasized that Kilmer had really wanted to participate in the filming, but was just going through a really, really tough time medically, and he couldn't do it.

During his decade on the BBC period drama Peaky Blinders, Cillian Murphy matured visibly as a man, and also as an actor. Steven Knight wrote such a challenging and nuanced role for him, as gangster Tommy Shelby, that it wasn't surprising at all that, when the series concluded, Murphy was tapped to star as J. Robert Oppenheimer by Christopher Nolan.

He was the actor I wanted to play this role. It drew on his Native American heritage and his ties to and love of the Southwest. But Kilmer was unable to make it to set due to his battle with throat cancer. The film-maker is working in conjunction with the late actor's estate and his daughter, Mercedes, to bring Kilmer back to life with state-of-the-art, generative AI.

My first thought was, 'Oh god, I don't know how we're going to make this into a movie.' I was so scared. I didn't want to let Andy down. But I realized how challenging it was. This is a far more ambitious book than The Martian. It's a much bigger canvas, it's a much more mature subject, the detailed emotional storyline that's at the core of this is so intimate against this celestial backdrop.

As audiences increasingly gravitate towards content tailored for mobile devices, the adaptation of traditional storytelling methods to fit vertical formats feels like a natural progression. Vurt sees its platform as a solution that aligns with this future. The success of "micro-drama" platforms like ReelShort and DramaBox has proven that there is a sizable market eager for engaging, bite-sized content.

After its $45.3 million debut, The Walt Disney Co.'s 'Hoppers' release dipped a modest 37% in its follow-up weekend, a promising sign for an animated movie hoping to have strong legs through March. The Pixar original, about a young woman who transforms into the body of a beaver to help defend a pond from development, is hoping to keep attracting audiences with good reviews (94% fresh on Rotten Tomatoes) and strong audience scores (an 'A' CinemaScore).

The titular 'boosters' refers to a group of modern-day Robin Hoods who steal from department stores and resell the clothing on the cheap. Led by Corvette (Keke Palmer), the 'Velvet Gang' specifically targets Metro Designer stores, a chain helmed by scientist-turned-fashion maven Christie Smith, played with a zealous ferver by Demi Moore.

I don't know any more than any of you do, but I have a very strong suspicion that we are not alone here on Earth right now. And I made a movie about that! This statement reflects Spielberg's public acknowledgment of his belief in extraterrestrial presence on Earth, marking a significant departure from his previous reluctance to discuss such convictions.

When Abbott and Costello met Frankenstein in 1948's aptly named Abbott and Costello Meet Frankenstein, it was the start of a series of horror-comedies that built on what's arguably the first cinematic universe. So it wasn't really a surprise, 75 years ago, that Abbott and Costello met the Invisible Man.

In the comedy's trailer, Matarazzo's character, Jack, is ready to shake things up with his friend, 'We're in college, Monty. These are supposed to be the best years of our lives. I just want to have a fun night for once.'

Nineteen-year-old Mabel Tanaka has always used nature as a means of calming her volatile emotions, decompressing in the silence of the placid pond near her house with her beloved grandmother by her side. But as Mabel grows from a sullen teen to a young adult, her coping mechanisms fall away one by one. Her parents move away, her grandmother dies, and the pond, the last stable place in her life, is deserted by the wildlife that once gave her so much comfort, and scheduled to be paved over for a new highway.

Louisiana has a really great infrastructure for film, with really talented filmmakers. That's where I started my career, so I've done many films there. I came up in New Orleans in the...

Netflix's smash-hit, Oscar-nominated animated film KPop Demon Hunters is returning for a sequel, with the fictional Korean girl group HUNTR/X coming back to lay down pop hits and smash evil boybands (and/or other demons). Maggie Kang and Chris Appelhans will once again direct their first project in an exclusive multiyear writing and directing partnership with Netflix.

Louisiana has a really great infrastructure for film, with really talented filmmakers. That's where I started my career, so I've done many films there. I came up in New Orleans in the art department, right before Katrina in 2004.

Remaking Robert Hamer's 1949 British classic Kind Hearts and Coronets—the greatest Ealing Studios comedy and, in my own fevered opinion, the greatest film of all time—needs the chutzpah of Cecilia Gimenez, the amateur Spanish artist who restored a painting of Christ and left him looking like a gibbon.

Have you ever wondered what Arrival would be like if it was also a goofy buddy comedy? Me neither. And yet the strange combination somehow fits together in Project Hail Mary. The movie follows a scientist who travels to the far reaches of the universe to save humanity and is forced to work alongside an alien in the same position. It's silly and heartfelt, tense and hopeful.

It's a great story where Conan was 40 years king...and he gets complacent, and he gets forced out of the kingdom, slowly. Then there's conflict, of course, and then he somehow comes back, and then there's all kinds of madness and violence and magic and creatures.