"Jordan is a master of restraint and subtle expression. She doesn't belt; she breathes, trusting her phrasing to carry the heat. On the sugary highlight "Sweet Sensation," she slips out of Brandy-esque melisma to assert that smolder can stand alone. On "Crave," a love song produced by Chicago house legend Terry Hunter, Jordan struts exquisitely; club music was always about feeling as much as stimulation, and Jordan is tapped into the heart of its lineage."
"Jordan doesn't just hire producers; she maps a dance diaspora of contemporary pop, Chicago and Detroit house, and UK garage, and threads herself through it. Standout favorite "Bite the Bait" gets a chrome‑sleek electro sheen from Jimmy Edgar that lets her cool vocal glide like lip gloss; "Around" draws on producer Hamdi's UK bass sensibility, and Jordan rides the low end, sounding featherweight and self-assured."
Jordan centers restraint and subtle phrasing over belting, using breath and controlled delivery to convey heat and smolder. Songs like "Sweet Sensation" and "Crave" favor smoldering phrasing and steady four-to-the-floor rhythms that invite slink rather than sprint. Production maps a dance diaspora across contemporary pop, Chicago and Detroit house, and UK garage, with collaborators including Terry Hunter, Jimmy Edgar, Hamdi, KLSH, Machinedrum, and WaveIQ. Tracks such as "Bite the Bait," "Around," and "I'm Your Muse" showcase chrome-sleek electro, UK bass sensibility, and purring, boundary-blurring hooks. Scene knowledge feels lived-in, and vocal presence remains the album's center.
Read at Pitchfork
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