more eaze: sentence structure in the country

"With quivering electronics, poignant Auto-Tuned vocal fragments, and wailing pedal steel, sentence structure in the country flips the assumption that technology and authenticity have to be opposed, asserting the expressivity of the electronically mediated voice."

"Rubio's wavering Auto-Tune sketches out the haunting effects of relationship trauma: 'If you only knew why I lock the doors/You'd say it's illogical/And I'd say of course,' she almost whispers on 'leave (again),' surrounded by bubbly tones that slide and disappear amid snatches of vinyl crackle."

Aaron Fox's 2004 book examines the human voice in country music as a working-class genre. Mari Rubio's latest album as more eaze reinterprets country and folk, merging them with electronic elements. Her work reflects a spatial disconnect between New York and San Antonio, Texas. Rubio's use of Auto-Tune and pedal steel emphasizes emotional depth, contrasting traditional country expressions. Her songwriting demonstrates a shift from raw emotion to a more composed style, highlighting the evolving relationship between technology and musical authenticity.

Read at Pitchfork