
"For centuries, architecture has been shaped by the aspiration to create a smooth transition between the indoors and the outdoors. Today, technologically sophisticated window and facade systems allow architects to design open, light-flooded room concepts without losing heat. The Solarlux cero maximum sliding window can eliminate the boundaries between spaces, demonstrated most impressively when large-format elements replace building corners. This is a technical achievement accomplished entirely without supports that disrupt the view."
"The fundamental desire of modern architecture is to create a seamless connection between interior and exterior - and this desire is older than the modernism era might make it seem. Advancements in glass manufacturing made the construction of orangeries, Wintergardens, and glazed verandas possible as early as the 18th and 19th centuries. This aspiration is also reflected in traditional Japanese architecture, where sliding doors in living spaces open up directly into nature."
"The approach experienced a significant revival in the 1920s, particularly with the emergence of modernist architecture. Bauhaus architects, such as Walter Gropius and Ludwig Mies van der Rohe, experimented with large-scale glazing, transparent facades, and open floor plans. The load-bearing closed wall became less dominant, and spaces opened up to the outdoors. Thermal insulation and double glazing were not yet fully refined at that point;"
Technologically advanced window and facade systems enable open, light-filled interiors without sacrificing heat retention. The Solarlux cero maximum sliding window replaces building corners with large-format, support-free sliding elements that eliminate boundaries between inside and outside and preserve unobstructed views. cero establishes a direct, immediate connection to nature that surpasses standard solutions. Glass manufacturing advances enabled orangeries, wintergardens, and glazed verandas in the 18th and 19th centuries. Traditional Japanese sliding doors integrated living spaces with nature, and Frank Lloyd Wright developed organic designs weaving buildings and landscape together. The 1920s modernist revival saw Bauhaus architects adopt large-scale glazing despite limited thermal refinement.
Read at ArchDaily
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