Yes, I'm talking about the Eyeball, the seventh-grade horror fan's notebook doodle come to CGI life, which is being held on Boy Kavalier's island with the rest of Weyland-Yutani's intergalactic spoils. While there are many new creatures that crashed to Earth aboard the specimen-filled Maginot, a ship on a biological-research mission, there is only one with the kind of shit-talking (and shit-taking) main-character energy to ensure it will be haunting our nightmares even longer than the original Xenomorph.
There is a certain degree of body horror baked into American football that becomes readily apparent whenever players sustain gruesome, career-ending injuries on camera. For some, football's overt violence is part of its appeal, and players are seen as people who have chosen to risk their safety in pursuit of fame and glory. Over the years, the public has become much more aware of football's potential to leave players' bodies and minds irreparably damaged.
I don't think I was supposed to feel emotional during The Toxic Avenger, a movie in which the title character pulls someone's intestines out through their asshole. But the truth is that I genuinely did get a little teary the first time Toxie triumphantly enters the scene of a hostage situation wielding his radioactive mop and preparing to dole out justice in generous gouts of red-dyed Karo syrup and fake viscera.
Ula Zuhra is a Bali-based illustrator, cartoonist and writer behind the full length graphic novel, Aca & Ica: Collected Stories. In the debut piece, the artist explores themes of "feminism, class, eroticism, mythological, and esoteric practices in Indonesia through a tongue-in-cheek satirical lens," the artist says. Throughout Arca & Ica, Ula often opts for a heady balance of high contrast black-and-white, set aside moments of vibrant colour.