#chaguar-fibers

#chaguar-fibers

Each nudibranch in this archive is three inches long, grown-up size, as the artist puts it, and each one is a faithful replica of a real species. The cerata, those finger-like projections on a nudibranch's back that serve as gills and defensive organs, are recreated individually in wool, each in the right shape and color for its species.

We don't eat batteries. They take away the water; they take away life. This pronouncement, in Spanish, appears in a photograph that the artist Tomás Saraceno sent via WhatsApp last month from Salinas Grandes, a high-altitude salt flat in northern Argentina. There, in one of the world's largest lithium reserves, the artist is working alongside 11 Indigenous communities to build El Santuario del Agua (The Water Sanctuary), a monumental work about the global energy transition.

Despite having to haul a dozen dumpster-loads of damaged goods out of the offices and the nearby Lab Store, to the tune of $1.5 million, Eileen said at the time, 'It was just stuff.' You can only imagine the emotions that might arise in a chief executive if they saw their sewage-soaked products floating by. Eileen and her staff did not linger there. They mobilized quickly-organizing carpools, impromptu meeting spaces, and arranging interest-free loans for staff needing cash during the crisis.

The Siekopai Nation, which has historically occupied territories along the northern border between Ecuador and Peru, was separated and displaced during the 1941 border war between the two countries, a conflict with consequences that extended into the 1990s. According to Justino Piaguaje, leader of the Siekopai in Ecuador, the nation's original population was close to 20,000 but diseases brought by colonisers, Jesuit missions, conditions of slavery during the rubber boom, and the impacts of the oil industry led to a drastic decline.

Archaeologists estimate that fishers in Peru have been using the reed boats for approximately 3,500 years. Elaborate ceramics dating back to the sophisticated Moche culture (AD100-800) and the later Chimu civilisation (900-1470), depict figures astride the craft, which was called a tup in the now-extinct Mochica language. They are believed to be among the first crafts to be used for riding waves, possibly predating Polynesian proto-surfing in Hawaii.

The Andes Cordillera is full of incredible sights, unique ecosystems, and unforgettable experiences. I believe there's something here for everyone, from vibrant cities to towering volcanic peaks.

I was surrounded by 200 marine biologists and students living and working together on a small island. That summer changed everything. It was there that I first learned about nudibranchs-these impossibly colorful sea slugs with shapes and patterns that looked like they came from another planet.

It is not about reproducing the past but about engaging in dialogue with it. We apply the same level of care and rigor to all pieces. Many of our utilitarian pieces have a strong sculptural quality, and several of the more artistic works originate from everyday forms and functions. We do not establish rigid boundaries between these categories; all are part of the same vision.

A favorite of backpackers, outdoor adventurers, and national park wanderers alike, Cotopaxi is known for its deceptively spacious bags, outdoor gear, protective clothing, and colorful styles. I've spent my fair share of time trekking up and down the country with my own Cotopaxi bag ( Cotopaxi Allpa 35L Travel Pack), which has seen such sights as Acadia National Park and downtown Boston, and on a recent trip to Italy, my travel partner brought hers along the Amalfi Coast.

The project, titled 'From Desert Sand to Alpine Snow,' centers on twenty hand-knotted fiber panels first commissioned for the Tanweer Festival in 2025. Installed in a 10 by 10 meter steel frame rising six meters high, the work stood directly on desert ground, its saturated colors vibrating against the pale sand and rocky escarpments of Mleiha.

Traveller check into hotels for easy access to historical Mayan sites and the cenotes beyond, with ambles through colourful squares and late, balmy nights digesting feasts over tequila tipples. Between cultural excursions and natural wonders, however, there's much to be said for the artisans in these parts. From crafted perfumes to handmade chocolates, these are the gifts and trinkets to make space for in your luggage.

The collaboration brings together Designtex's deep expertise in high-performance contract textiles and nanimarquina's poetic command of craft, tactility, and the beauty of the imperfect. For both teams, the partnership emerged from an immediate sense of kinship - a shared language of material integrity, color sensitivity, and a respect for heritage techniques reinterpreted for contemporary spaces. "We did that by using performance yarns and intentionally embedding imperfections into the weaving process."

But this week I spotted an ingenious use for the extras, courtesy of NY-based company Proche Studio. Here's their proposal: Mail in a wool blanket, and they'll give it new life in the form of a great-looking-and uber snug-chore coat, vest, or scarf. I'm particularly smitten by the chore coat, a fresh version of the quilt coats that became popular a couple of years ago, and much, much warmer.

In the small town of Chipaya, everything is dry. Only a few people walk along the sandy streets, and many houses look abandoned some secured with a padlock. The wind is so strong that it forces you to close your eyes. Chipaya lies on Bolivia's Altiplano, 35 miles from the Chilean border. The vast plateau, nearly 4,000 metres above sea level, feels almost empty of people and animals, its solitude framed by snow-capped volcanoes. It raises the question: can anybody possibly live here?

This research-based design project by Laura Oliveira investigates discarded as a potential raw material for sustainable design applications. Human hair is produced continuously and in large quantities through everyday grooming practices, yet it is almost always treated as waste once separated from the body and typically disposed of in landfills. Despite its material properties, strength, flexibility, and durability as a keratin-based protein fiber, its remains uncommon within design and research contexts.

The 26-year-old real estate project manager from Munich came to the surf camp to improve her skills on the water. I came to talk with adventurous travelers about their big ideas, from new businesses to life after layoffs.

Tons upon tons of these single-use plastics end up in landfills or even floating in the ocean. Spanish design firm PET Lamp set out give another purpose to these otherwise short-lived materials. Partnering with artisans in communities from Chile to Ethiopia to Australia, the company celebrates both Indigeneity and sustainability, drawing upon time-honored global craft traditions while supporting local economies and recycling discarded materials.

In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.