Just shy of 300-feet and improbably painted using an iPad, Hockney's frieze winds its way around the outer perimeter of "A Year in Normandie and Some Other Thoughts about Painting," on view at Serpentine North through August 23. These nonchalantly referenced "other thoughts," however, are far from just afterthoughts. They comprise 10 new portraits and explorations of abstraction from 2025, a year that evidently saw Hockney busy hatching new experiments on the pictorial plane.
Abjection often conjures images of horror-filth, ugliness, death-in their most visceral, corporeal form. Yet what we tend to neglect are abject forms of the mind: a kind of psychic horror that arises from the slippery grip we have on our sense of self.
Kohli's work is inspired by the generative forces of nature-its cycles of growth, dissolution, and renewal. Central to the artist's visual language is Shakti, the transformative power of the divine feminine. Kohli uses the womb as a potent symbol of creation and possibility, exploring transformation within the eternal cycles of birth and death.
The redevelopment prompted Simon and Catriona Mordant, leading Australian arts philanthropists, to make a record gift of 25 works from their private collection, and the gallery will present these to the public in a special exhibition to open in May. The building expansion makes Newcastle Art Gallery the largest public art institution in New South Wales outside Sydney.
Appointed Artistic Director of the Visual Arts Department in December 2024, Kouoh had fully developed the theoretical framework of the exhibition, artist selection, editorial structure, graphic identity, and spatial layout prior to her passing in May 2025. With the support of her family, La Biennale di Venezia committed to realizing the project exactly as she had conceived it.
For 131 years, Pen + Brush has done more than maintain a doorit has insisted it remain open. Open to women, non-binary, and trans artists and writers long before inclusion became a fashionable refrain. On December 14, that legacy manifested not as history, but as lived experience through Revolution in Three Acts: A Sip and Tell, held within Pyaari Azaadi's formidable solo exhibition, Talkin' Bout a Revolutionnow extended through February 14, with its accompanying catalogue forthcoming in January.
The sculpture, "Untitled" (2022), by the late artist Radcliffe Bailey, is a striking visual metaphor for W.E.B. Du Bois's doctrine of double consciousness, the social historian's conceptualization of African Americans' racial positioning post-emancipation. In their orientation, the twin busts suggest the crisis of identity experienced under the duress of racism; the subjects' autonomous self-fashioning is at odds with their marginalized civic position.
