#field-recordings

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fromPitchfork
1 day ago

M. Sage: Tender / Wading

We start in "The Garden Spot," where a chorus of Rocky Mountain toads introduces a bright clarinet melody. No mere scene-setting or shorthand, field recordings are integral here and throughout the album; the instrumentation accompanies the sounds of nature rather than overpowering them. When Sage works his studio magic to sound like a full band, as on "Witch Grass," one pictures it jamming on the back porch on a starry night with the full participation of the surrounding creatures-at one point, the session pauses and
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fromKALTBLUT Magazine
2 days ago

Video Premiere: The Allegorist - Birth - KALTBLUT Magazine

From Birth Until Death blends Andean mythology, electronic soundscapes, and field recordings into an introspective concept album accompanied by a surreal music video for 'Birth'.
fromSPIN
3 weeks ago

Rafiq Bhatia Terraforms, Transforms, and Deforms New Worlds of Sound

From 1969 to 1979, a series of field recordings appeared on the Atlantic label under the title Environments. Song titles included "The Psychologically Ultimate Seashore" and "Dawn in New Hope, Pennsylvania" (which would have made a dynamite title for a Ween album), presenting painstakingly recorded sonic representations of places and the sound-worlds they produce. The marketing capitalized on the hippie counterculture, stressing both the transportive and relaxing properties of the sounds. "Better than booze, safer than pot," as a quote from Life magazine put it.
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fromPitchfork
2 months ago

Jeremiah Chiu / Marta Sofia Honer: Different Rooms

Different Rooms integrates live spontaneity and studio craft to reflect daily life sounds.
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fromThe Washington Post
3 months ago

Heather Stebbins is making music from sounds inside her home and her head

Heather Stebbins' music intertwines memory, nature, and unconventional sound to create vivid experiences reflecting personal and environmental significance.
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fromPitchfork
5 months ago

Joshua Bonnetta: The Pines

Joshua Bonnetta emphasizes subjective interpretation in field recordings, challenging the notion of objective reality in sound art.
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