I was floating around this idea in my head, I knew I wanted to tell a story about the last 24 hours of the simulated mission as part of the Army Ranger selection program. Then I had this horrific nightmare where I was being stalked in a forest with rain and lightning, and I just saw the foot of this giant metallic beast, and it was stalking me, and it had this laser that was sweeping over.
The golf, the courts, the exclusivity, the discretion. People need a place where they can feel safe, where they can pretend everything is okay. It's the land of make-believe. This opening statement establishes the country club as a sanctuary where members escape reality and maintain carefully constructed personas, setting up the central tension of the season.
There's not quite enough charm to go around in Netflix's festive season opener A Merry Little Ex-Mas, a film that might have benefited from a release date a little closer to the big day. Maybe by then, we might have been more enveloped in the all-consuming excitement of Christmas to overlook its failings, but here in the post-Halloween, pre-Thanksgiving netherworld, there is no amount of fake snow or eggnog that can convince us to get on board.
Raphael Bob-Waksberg has left behind the shield of talking animals in " Bojack Horseman " and "Tuca & Bertie" to deliver a deeply personal family animated sitcom called "Long Story Short," a 10-episode Netflix comedy that plays more like a powerful short story anthology than a traditional season of laugh-inducing television. With his writing team, Bob-Waksberg jumps around chronologically in the lives of the Schwooper family, going almost randomly from character to character and time period to time period in each episode,