Ari Aster's latest film, 'Eddington', is set in May 2020, during the COVID-19 pandemic, focusing on Joe Cross, a sheriff opposing mask mandates. The film critiques various societal themes, including right-wing paranoia and performative radicalism. Critics express mixed opinions, particularly regarding its portrayal of public health measures and racial issues. The first two acts depict recognizable events from that period, involving internet cults and politically charged accusations. However, the narrative takes twists that provoke further debate about Aster's thematic choices.
Ari Aster's 'Eddington' reflects the chaos of late May 2020, focusing on a sheriff's populist battle against public health measures during the pandemic.
The film critiques right-wing paranoia, performative radicalism, and liberal smarm while exploring the absurdities of public health policies.
Critical reactions to 'Eddington' reveal a split concerning Aster's approach to issues of race and public health in the narrative.
The first two acts depict exaggerated yet recognizable scenarios from the summer of 2020, including internet cults and political smear campaigns.
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