Both artists command the mic effortlessly, maintaining a distinct nocturnal energy that resonates throughout the track, making 'Which One' a bold power move in their catalog.
"This year, we didn't just defend EXIT's freedom - we defended the right of the entire global music and cultural scene to speak freely. That's why this year's EXIT is of such importance. What happened over these four days at Petrovaradin Fortress proved the social impact that music and togetherness can have. Together with our fans, students, and both local and international performers, we held firm against state oppression. We showed that love still triumphs over fear and the power of solidarity."
"They just automatically started talking to the ladies that were with me being like, 'she can't go down there, she can't go down there'."
The scene is one of the movie's best partly because actor David Corenswet is so good at showing the gentle boy inside the Man of Steel, but also because it resurrects one of rock's fundamental debates, one that echoes beyond music borders.
Hungary has zero tolerance for antisemitism in any form. Kneecap's planned performance posed a national security threat, resulting in a formal three-year ban from entering Hungary.
Keogh, flanked by bandmates Eoin Fitz Fitzgibbon on guitar and Eoghan McGoo McGrath on banjo, reads from his phone as he lends his chesty baritone to the just-written chorus of Killeagh: They'd go rarin' and tearin' and fightin' for love / For the land they call Killeagh, and the Lord up above.
The fatal collision with a car happened near the junction of Cable Street and Cannon Street Road in Shadwell at approximately 12.30am, resulting in Matheus Piovesan's death.
Saville's monumental paintings of the naked female form were commissioned and bought by the collector Charles Saatchi, who exhibited her work at his eponymous gallery in 1994.
This VIP refurb has been a dream of mine since I joined Ministry of Sound 10 years ago. From the start, I knew that opening up this space to the Box would be a total game changer - not just for our guests, but for the artists too. It's been a real passion project, and we've poured everything into creating something that feels bold, immersive, and electric.
As word had spread that the building was surrounded by police, a young DJ who was on the decks at the time, Rob Tissera, decided to take action. I got on the microphone, and very stupidly and regrettably, said: If you want to keep the party going, we're gonna have to fight the bastards.' People did just that. Everybody turned into bloody hooligans, he says. It ended in a three-hour siege and got pretty nasty.