Set the titular time after the virus that decimated England, Boyle shot his film on iPhones, included more prosthetic penises than seems reasonable, and even embedded a Brexit commentary in his action flick. At its core, it's a traditional coming-of-age action narrative about a young man who discovers that not only is the world unsafe but that adults in it will betray you, but it's also just a visually stunning piece of work, a movie that looks like nothing else that played in a multiplex this year.
Though 1974's Carrie marked Stephen King's first published novel, The Long Walks holds the distinction of being the earliest opus penned by the horror author. The story of a contest in which 100 teenagers march until only one is left alive, King began as a college freshman at the University of Maine in the late 1960s amid the Vietnam War and the looming threat of its televised draft.
First off, the film is beautifully shot, from the opening scene, which tracks back from a hallucinatory landscape until we see the source of a strange sound: a riffled deck of cards in a desperado's hands. And its central conceit a little girl (Emily Katherine Ford) whose touch is fatal flowers into an intriguing metaphor for the consequences of the white man's burden. Except here the girl is, initially, a black woman's burden. Formerly enslaved Sarah (DeWanda Wise) runs a homestead
Nothing about Francis Lawrence's take-no-prisoners adaptation of Richard Bachman's (aka Stephen King) staggering novel offers one shard of hope for any of us to wrap our bloodied fingers around. Nor should it, given the hellish America landscape it envisions, an undefined time where a rotting-to-its-core nation goads 50 male teens into a grueling contest that demands participants walk at a 3-mile-an-our pace or get a bullet through the head delivered by The Major (Mark Hamill) or his military goons.
The documentary takes viewers on a 'deep dive,' going behind the scenes with never-before-seen footage and newly-filmed interviews, revealing the legacy of 'Jaws.'