#representation

#representation

Folks, if I know one thing in this world, it's the lived experience of being a short king. My 5'3" ass has always seen the world from a lower standing than my peers, and it's rare for me to come across heroes in media who see the world from that same point of view. Wolverine, the X-Man who has pointy metal claws in his knuckles, is one of the few short kings I have to cling to in popular culture,

In primary school I wasn't very cool. I never got Hula Hoops in my packed lunches because my Polish mum would give me cucumbers and I hadn't seen High School Musical because we didn't have Sky. Without those two major assets, you had to find a thing and mine became trying to make people laugh. I made a YouTube channel when I was 14, then eventually worked at the Edinburgh fringe when I was 18, and saw some amazing standup.

The lyrical register of pop music demands imagery that's direct and broadly relatable, the kind of message that can be easily understood over a thudding bass line. So too does gospel, where the communion arrives not on Saturday night at the club but at a service the next morning. In either case, the roof might get blown off, and in a moment of mass worship, you're able to believe for a few minutes at a time in a collective euphoria.

"I love Pete," Harris writes in an excerpt obtained by The Atlantic. "I love working with Pete. He and his husband, Chasten, are friends. But we were already asking a lot of America: to accept a woman, a Black woman, a Black woman married to a Jewish man. Part of me wanted to say, Screw it, let's just do it. But knowing what was at stake, it was too big of a risk. And I think Pete also knew that-to our mutual sadness."

It's this tonal tweak that gives us elements like the puppet sequences from Sam's point of view, or the interpersonal drama that feels straight out of Riverdale, and that's a refreshing change of pace from The Boys ' high octane action. A related and underrated strength is how Gen V handles real-world issues, often using its superpowers to provide a model for the problems of young adults. Marie uses her bloodbending powers by cutting herself, which reflects self-harm.

they can limit the types of stories that get told and the kinds of ideas that make it to market, which can really dampen creativity and innovation.

You remember what you want to remember. You make time for what you want to make time for. Do the work. Show up. And most importantly, for the love of God, don't embarrass me in public, Tillman said. My first acting coach was tough, ya'll, but all great mothers are. Mama, you were there for me when no one else was, Tillman continued. Your loving kindness stays with me, and this is for you.

I am so grateful that Disney continues to allow us to see ourselves through these Disney princesses," said Auli'i Cravalho, the voice of Moana. "And so, I hope you find the princess that resonates the most with you.

As a young Taiwanese girl living in the Inland Empire, former singer and import model-turned-writer Kaila Yu said she often felt uncomfortable in her skin, growing up around Eurocentric beauty standards. I felt like my features weren't desirable, Yu said of her childhood. I felt very insecure about all of that. The now 46-year-old L.A.-based author explores themes of sexuality and race in her debut memoir, Fetishized: A Reckoning with Yellow Fever, Feminism, and Beauty, out everywhere books are sold.

In 2020, during the midst of COVID-19 pandemic, Black Lives Matter, the murder of George Floyd and a surge of Confederate statue removals, discussions about monuments became frequent in teacher David Felsen's New York City high school history class. The discussions struck up a series of questions-like who was the first Black American to have a monument in NYC, the total number of Black monuments in the city, or how many Black women have statues dedicated to them.

It was important to me to not only introduce a new show that was deeply nostalgic for me, but a show that featured Black performers.

The demands here are clear: Put some Lulu on this butt. One of the big lies about rap music in the 90s and the 2000s is that only one or two female rappers could be successful at any given time.

Over the weekend, a private, family-friendly Drag Queen Storytime event at Holywood Arches Library, part of the EastSide Arts Festival, became the subject of targeted misinformation and online abuse.

The rebellious, radical Superman was dangerous. He could inspire. And so he had to be coopted.

Owning being trans has become a source of pride for Alex Consani, who feels empowered to embrace her identity and recognizes the strength in being different.

Caldwell stated, 'I thought, 'my career is over,' I was more worried about my husband than I was worried about myself.' Her fears were misplaced as she found support instead of rejection.

Matthew Carlsen expressed excitement for the opportunity to showcase under-represented groups in queer history through his portrayal of a female impersonator in The Gilded Age.

Growing up, I spent my summers devouring Children of the Sun and Great Kings and Queens of Africa. While my classmates were learning about George Washington and Abraham Lincoln, I was curled up with books that introduced me to Mansa Musa, Queen Nzinga, and Kwame Nkrumah. Back then, it sometimes seemed I was just doing double the homework, but now I know my parents were planting in me imagination, belief in myself, racial pride, and truly resilient roots.

The tapestry unwraps the painted wooden skin of the chair into a digital texture made tangible through weave. The chair, a Shaker chair by Atelier Van Lieshout, becomes a canvas where this digital texture is traced back onto wood by the human hand.

You inspire fear in those that are afraid of being their true selves. I think that's the threat, your joy, and your radical bravery in living your life in joy.

When I first heard that I was going to play a trans woman in Squid Game, I thought it was a very good challenge for me as an actor to take up. But at the same time, I questioned myself. Would it be acceptable for me as a cisgender actor to play a trans woman character? So I had my worries. I had my concerns.

The second season of Netflix's The Sandman, launching July 3, faces the challenge of addressing Neil Gaiman's controversies while staying faithful to its source material.

It was pretty clear through the production of the first version of the film that [studio leaders] were constantly sanding down these moments in the film that alluded to Elio's sexuality of being queer.

"Specifically with Black girls, young Black girls, I really want them to tune in. This is something very important for them... I wish I had something like this when I was younger."

Glastonbury has faced criticism for its perceived whiteness, particularly noted by Lenny Henry, who remarked on the absence of Black audience members despite Black artists performing.

The fruit of your labor isn't just what you achieve; it's what you plant for others to harvest.

"In Korea, there are really not many transgender [people] who have come out and are actors, and there [are] just a couple of gay [actors] who have come out publicly, so it was physically difficult to find a transgender actor who could really play the role. It was, realistically speaking, nearly impossible."

Are representation and resemblance their own mandate of heaven? Or, as Jordan Tannahill's Prince Faggot puts it, what would happen if, just a few steps down the line of inheritance, there were a guy who loved being a little bitch in bed?