#public-art

#public-art

The UK artist Michael Landy has this week unveiled his memorial to humanitarian aid workers, which has been in development for over a decade. The new public art piece, which is located at Gunnersbury Park Museum in west London, is intended to commemorate all humanitarians who have been killed in service, of whatever nationality. Landy's work is comprised of a circle of 15 human-scale figures, grouped in fives, with spaces allowing visitors to complete the circle.

Another piece of public art has come to the Embarcadero this week, with the official unveiling Tuesday of , a larger-than-life-size mermaid made of metal and other materials, by artist Dana Albany. makes her debut today at Pier 1/2, next to the Ferry Building, with KRON4 grabbing a couple snaps. Below you can see the sculpture in another recent installation at Mare Island, and prior to that, at the Chatsworth Estate in England.

The MIT Museum presents Remembering the Future, a monumental installation by artist Janet Echelman created in collaboration with architect, engineer, and MIT Associate Professor Caitlin Mueller. Suspended above the museum's grand lobby and open to the public from September 18th, 2025, through Fall 2027, the work transforms climate data into a three-dimensional form that invites visitors to engage both visually and conceptually.

At the time, they said that the pigeon was chosen because it had been around for over a millennium in London. It wasn't a universally well-received logo, and for many people, the pigeon is more a sign of being in an urban landscape than of being in London in particular. That New York was unveiling a giant statue of a pigeon as a local symbol of that city at the same time that the London Museum was pitching the pigeon as a distinctly London symbol

Sean Hope, the owner of DX Arcade, said the mural was special to the business and called it the arcade's "calling card." It was unveiled in February, when the arcade threw a grand opening ceremony. The mural is 10 feet by 20 feet and depicts a futuristic cityscape featuring young people. It was meant to promote the business as a forward-looking arcade, in contrast to the nostalgia-oriented "barcades" that are growing more popular, Hope told Boston.com.

Maurizio Cattelan, contemporary art's notorious provocateur, is taking his wit from the gallery into the streets with Where is Maurizio?, a worldwide treasure hunt. To mark the release of We Are the Revolution, his latest limited-edition self-portrait sculpture, three works have been hidden across the globe, waiting to be found by the quickest and most dedicated seekers. The hunt begins in New York City on September 30th, 2025, when the first clue will be revealed on Avant Arte's dedicated website.

I think it's important for the city to see what we value collectively and also to really celebrate what is in their neighbourhoods," she said.

Deb Dasgupta, Absolut Vodka's VP Global Marketing, said about the installation: 'Absolut has always believed that art should be open, joyful and for everyone. Keith Haring's work radiated that belief - full of energy, colour and hope. 'With Absolut Haring, we're inviting a new generation to celebrate that spirit in a public space - in an underground station that reflects and connects to the subways that inspired Haring more than forty years ago.'

"These things are very loud, very colorful,"

For the 2026 installation, the artwork will be installed on the glass façade of the Olympic Village Canada Line Station that faces W 2nd Ave at Cambie St. Up to five works will be printed on 60/40 opacity vinyl and will be installed within the surface area of the five glass columns. A didactic panel with information on the work will be placed alongside the installation.

Since first coming to Portland in the early '90s, the artist has been creating figures of fun. You may have seen his work; his titanic murals can be found all over the east side of Portland. They are unmistakably Hirsch: grinning robots, fantastic figures, and uplifting questions like "What inspires you?" You may have even found one of the "bot" tokens he sometimes leaves in public places in town. These are white dominoes painted with one of his signature figures and a message to enjoy the bot and pass it on.

To start, the pianos are supposedly strategic in helping to keep travelers calm in what is a universally stressful setting. Historically, somewhere around 30-40% of travelers reported being nervous about flying, but in the past year - in light of the uptick in aviation incidents - that number has risen to 67%, according to a poll commissioned by The Points Guy. Music, when it's played well, can be instrumental in easing nerves on a subconscious level.

The installation consists of large mirrored spheres tinted in glossy . These elements reflect the surrounding environment, sky, buildings, and passersby, creating a constantly shifting interplay of light and form. Slowly, the spheres move in relation to one another, generating fluid and changing compositions. The motion suggests organic breathing, achieved through a calibrated balance between geometric structure and mechanical precision.

Ai Weiwei's public art installation Camouflage goes on view 10 September at the southern tip of Roosevelt Island, directly across the East River from the United Nations and in tandem with its 2025 General Assembly-the 80th session since its founding at the end of the Second World War. At the Franklin D. Roosevelt Four Freedoms State Park, designed by the architect Louis Kahn in 1973

The $2.6 million Pavilion is being constructed by Friends of Tryon Creek, a nonprofit organization that supports and operates educational programs at the 665-acre Oregon State Park located on Southwest Terwilliger Boulevard between Portland and Lake Oswego. It is scheduled to open Sept. 20, and will include two classrooms and a community gathering space to boost the programs that are already being conducted by the Friends group.

Named 'Beacon', the structure will be placed at the entrance of the Royal Festival Hall and it'll light up when Big Ben strikes the hour. It'll be visible from both sides of the Thames and perform in choreographed waves of light. The installation is by British designer Lee Broom and it is part of the London Design Festival (LDF). This year's edition of LDF will run from September 13-22.

Since its first edition in 1987, the Sea Art Festival has become one of Busan's most important art events. Against a coastline backdrop, the festival uses its unique format to reinterpret its natural surroundings, explore diverse marine ecological issues and through its collaboration with local fishing communities, bring the public closer to art. Titled 'Undercurrents: Waves Walking on the Water', this year's edition returns to Dadaepo Beach and surrounding areas, thematizing the invisible forces operating beneath the surface, both ecologically and culturally.

'What is this?' they simply asked, further explaining that they initially dismissed the artworks as advertisements. 'Then I noticed similar ones and started examining them out of aesthetic curiosity. That's when I realised they were part of a series,' they said. 'But the seemingly random red cross at the bottom threw me off: if it's a puzzle, it feels too simple for the effort and resources it must have taken to install; if it's art, then what's the message?'

Cj Hendry brings her immersive installation Flower Market 2.0 to Rockefeller Center, transforming the landmark plaza into a vivid landscape of oversized, hand-crafted flowers. Open from September 19th - 21st, 2025, the interactive installation follows the artist's viral debut last year on Roosevelt Island, which later expanded to Industry City to accommodate swelling crowds. The new edition introduces twenty-seven fresh plush flower designs, each one produced with the same meticulous attention to scale and texture that defines Hendry's practice.

Pantone approached the project with more than just a surface-level color match. Every choice - from the intensity of the shades to the depth and spacing between them - was designed to echo the rhythm and flow of the music. The installation unfolds like the song itself, translating verses and melodies into a visual journey. The outcome feels understated yet expansive, drawing viewers in regardless of whether they recognize Coldplay's 'Yellow' or not.

The stunning 80-foot-long concrete frieze, "Exodus and Dance," was created in 1939 and installed in front of the Kingsborough Houses in the Weeksville section of Crown Heights - home to one of the nation's first free black communities - two years later. The historic treasure's etched reliefs depict biblical imagery and dance motifs to convey "spirituality, community and joy," proponents said.

She has stepped out of the shadow of her famous family This year, at the Guinness Storehouse, hundreds of thousands of visitors will view a commissioned artwork by Leah Hewson. Known for her ADdynamic paintings, Hewson says her public work - the installations and ADmurals at Facebook, Kicky's restaurant, the ADStorehouse, private commissions - is always separate from the paintings.