#game-development

#game-development

May 10 was Uncharted 4: A Thief's End 's 10-year anniversary. The PlayStation 4 sequel effectively caps off the saga of Nathan Drake, even as rumors of some kind of fifth game continue floating around . Less tidy was Uncharted 4 's development, which entailed pretty significant changes after creative director Amy Hennig left Naughty Dog in 2014.

But this indecisiveness is precisely what has held back Saros and is evident in nearly all of its systems. This contradiction is most clearly and consistently felt in its gameplay. While Saros' limited level variety and stagnant bosses are weaknesses that go against the spirit of the genre, its stunted build variety is its most egregious fault. Roguelikes typically thrive on throwing variables at the player--be it a cadre of perks, weapons, or, in Balatro's case, Jokers--and spontaneous inte

Fenris and DeepMind stated that EVE Online presents a uniquely rich environment for study, especially in developing AI systems that utilize long-horizon planning, memory, and continual learning.

Around 170 staff have reportedly been laid off Build a Rocket Boy, the developer behind the unendingly troubled MindsEye. The exact number of people affected is unclear, but the latest round of staff cuts brings the studio's headcount down to approximately 80.

"I wanted to create an experience where players can truly 'live' inside the great river of history and learn about it from the inside out," says Akihiro Yoshizawa, the lead developer of the game.

Build A Rocket Boy has reportedly let go a large number of employees in its latest round of layoffs, with estimates suggesting roughly 170 members have been affected.

"The fact a lot of players commented they really liked the original design of Grace and didn't want to see it changed was a positive. It meant we got the design right and it points to the fact that Grace quickly established herself as a fan favorite, that people had such strong opinions on her design."

Tati Gabrielle, who plays the game's protagonist Jordan A. Mun, told IGN that Intergalactic represents 'such a different side of Naughty Dog that I think people are going to get really excited for.'

Zelnick recounted a greenlight meeting where he sensed a negative vibe regarding a sequel. When he asked the producer about their excitement, the response revealed a lack of enthusiasm, prompting Zelnick to halt the meeting and decide against the project.

Yes, as a Pokémon fan, I naturally understand the various discussions currently taking place within the fan community. I can totally relate to all of it. Regarding the graphics and gameplay, we've truly tried to do our best in both areas.

Poncle is developing three basic types of games: spinoffs to Vampire Survivors, original IPs, and roguelites with similar mechanics to Vampire Survivors, using other IPs.

"We [are using] the famous Vampire Survivors IP to experiment in new genres. We love card games, but we are not very good at card games. They're complicated. So, we made the game that we wanted to play."

"I helped Santa Monica to make God of War, Naughty Dog to make Uncharted and The Last of Us, and Sucker Punch to make the beautiful Ghost of Tsushima. Ghost of Tsushima was one of the last games that I worked on as the president of Worldwide Studios. But in 2019, after 11 years leading the first-party development, I was fired from the role."

Expedition 33's victory at the BAFTA Games Awards 2026 included three wins, notably the prestigious 'Best Game' award, marking a significant achievement for Sandfall Interactive.